Santos in Oaxaca's Ancient Churches

A study of santos in 16th-century and other churches in Oaxaca, Mexico

In Teposcolula:

Angel 1
Angel 2
Bishops group (two bishops, one monk)
Christ: Ecce Homo
Christ fallen with the cross
Christ in a coffin
Christ in a crown (with crowned infant Christ)
Christ seated in the pretorium ("Pensive Christ")
Crucifix 1 (Calvary group)
Crucifix 2
Crucifix 3
Crucifix case (with Mary, the Magdalene, one other saint)
Crucifixes (two, with two unidentified saints)
Crucifixion Group
Our Lady of Mount Carmel
Our Lady of Sorrows (Soledad) 1
Our Lady of Sorrows (Soledad) 2
Our Lady of the Rosary (with St. Dominic and a crucifix)
Palm Sunday Christ
Resurrected Christ
Sacred Heart of Jesus
St. Anthony of Padua
St. Isidore the Laborer
St. Mary Magdalene
St. Michael 1
St. Michael 2
St. Michael 3
St. Paul
St. Peter
St. Veronica
Saints Peter and Paul (?)
Unidentified Dominican
Unidentified female saint 1
Unidentified female (?) saint 2
Unidentified Franciscan
Unidentified monk 1
Unidentified monk 2
Unidentified monk 3
Unidentified monk 4
Unidentified priest 1
Unidentified priest 2
Unidentified saint 1
Unidentified saint 2
Unidentified saint 3
Unidentified saint 4
Unidentified saints (two in a cell)
Unidentified saints (three in a cell)
Virgin Mary

Other santos not photographed

Local Name: El Señor de la Misericordia.

Basis for Identification: INRI plaque, streaming blood, gash in right side, loincloth with scutum.

Other characteristics: Long hair reaching to the figure's knees.

Site: Church of San Pedro y San Pablo, Teposcolula.

Location: In a glass case in the center of the retablo just past the narthex in the south wall of the nave (see note).

Comparable santos in Oaxaca: Achiutla, Santa Ana del Valle1, Santa Ana del Valle2, Santa Ana del Valle3, Cuilapan, Etla, Guelavia, Mitla, Nochixtlán, Tamazulapan1, Tamazulapan2, Teitipac1, Teitipac2, Teitipac3, Teitipac Our Lady of the Rosary, Teotitlán1, Teotitlán2, Teposcolula1, Teposcolula3 (in Rosary case),  Teposcolula Convento1, Teposcolula Convento2, Tilantongo1, Tilantongo2, Tlacolula1, Tlacolula2, Xoxocotlán1, Xoxocotlán2, Xoxocotlán3, Xoxocotlán4, Yanhuitlán1, Yanhuitlán2, Yanhuitlán Convento1, Yanhuitlán Convento2, Yanhuitlán Convento3, Yanhuitlán Convento4, Yanhuitlán Convento5, Yanhuitlán Ayuxi Chapel, Zimatlán.

External Links:
Wikimedia Commons: Crucifixes in Mexico
Catholic Encyclopedia: Archaeology of the Cross and Crucifix
Wikipedia: Crucifix
Christian Iconography: The Crucifixion

Basis for Identification: Conjecture based on the crown and the figure's placement in this case.

Site: Church of San Pedro y San Pablo, Teposcolula.

Location: On the extreme left in the case.

Comparable santos in Oaxaca: Achiutla, Etla1 (in the Soledad group) Etla2, Guelavia1, Guelavia2, Nochixtlán, Ocotlán, Teotitlán, Teotitlán2, Tilantongo1, Tilantongo2, Yanhuitlán1, Yanhuitlán2, Zimatlán.

External Links:
Wikimedia Commons: Statues of Virgin Mary in Mexico.

Local Name: La Santa Magdalena.

Basis for Identification: Conjecture based on the long, blond hair and the figure's placement in this case.

Other characteristics: Pink dress.

Site: Church of San Pedro y San Pablo, Teposcolula.

Location: To the left of the crucifix.

Comparable santos in Oaxaca: Achiutla, Coixtlahuaca, Ejutla, Huitzo, Ocotlán, Tamazulapan, Teotitlán, Teposcolula.

External Links:
Wikimedia Commons: Statues of Mary Magdalene in Mexico
Catholic Encyclopedia: St. Mary Magdalene
Wikipedia: Mary Magdalene
Christian Iconography: St. Mary Magdalene, Follower of Christ

Site: Church of San Pedro y San Pablo, Teposcolula.

Location: To the right of the crucifix.

Santos Home Page

Note: On this site, references to the cardinal directions always assume that the main altar is at the east end of the church, the narthex or entry area at the west end, and the two walls of the nave on the north and south. (The nave is the long central section.) Actual orientations may differ. 

The photo shown here is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license. You are free to share or remix it on two conditions: first, that you attribute it to the photographers, Claire and Richard Stracke, without implying any approval of your work on their part; second, that if you alter, transform, or build upon this photo, you may distribute the resulting work only under the same or similar license to this one.