Santos in Oaxaca's Ancient Churches

A study of santos in 16th-century and other churches in Oaxaca, Mexico

 

By Claire and Richard Stracke
Funded by a grant from the Rockefeller Foundation.

In Santa María de la Natividad, Tamazulapan:

Altar
Angel
Christ in a Coffin
Christ in the Pretorium ("Pensive Christ")

Christ: Ecce Homo
Crucifix (1)
Crucifix (2)
The Immaculate Conception
Our Lady of Sorrows
Palm Sunday Christ
Sacred Heart of Jesus
St. Anthony of Padua
St. Isidore the Laborer
St. John the Baptist (Child)
St. Mary Magdalene
St. Michael the Archangel
St. Peter the Apostle

St. Teresa of Avila
Trinity

Unidentified Saint

Other santos not photographed

St. Peter the Apostle

Saint Peter the Apostle

Local Name: San Pedro Apóstol.

Basis for Identification: Keys in right hand, triple cross, mitre.

Other characteristics: Red chasuble-like overgarment.

Site: Church of Santa María de la Natividad, Tamazulapan.

Location: In a glass case along the west wall of the chapel in the first bay of the north wall of the nave (see note).

Comparable santos in Oaxaca: Coixtlahuaca, Etla, Huitzo, Mitla, Díaz OrdazTeitipac1, Teitipac2, Teotitlán1, Teotitlán2, Teposcolula1, Teposcolula2Yanhuitlán.

External Links:
Wikimedia Commons: Statues of St. Peter in Mexico
Catholic Encyclopedia: St. Peter, Prince of the Apostles
Wikipedia: Saint Peter
Christian Iconography: Saint Peter the Apostle

Next: Across from this santo, on the west wall of the chapel, is an "Ecce Homo" santo.

Previous santo

Introduction to Santa María de la Natividad

Santos Home Page

Note: On this site, references to the cardinal directions always assume that the main altar is at the east end of the church, the narthex or entry area at the west end, and the two walls of the nave on the north and south. (The nave is the long central section.) Actual orientations may differ.

The photo shown here is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license. You are free to share or remix it on two conditions: first, that you attribute it to the photographers, Claire and Richard Stracke, without implying any approval of your work on their part; second, that if you alter, transform, or build upon this photo, you may distribute the resulting work only under the same or similar license to this one.