In Villach, in Pannonia Today Villach is in the State of Carinthia in Austria , the natal day Not the birthday but the day he died and was "born again" into Heaven of St. John of Capistrano, confessor and priest of the Order of Friars Minor, illustrious for the sanctity of his life and for the zeal with which he spread the Catholic faith. By his prayers and miracles he lifted the siege of Zemun Belgrade's sister city, across the river Sava , which had been under heavy attack by the Turkish army. However, his feast is on March 28. — Roman Martyrology for October 23.
There are two types of portraits of St. John of Capistrano. In one he stands as if victorious holding a cross or crucifix in one hand and in the other a cross-topped banner, as in the first picture at right.1 Images of this type will often show a fallen soldier at the saint's feet, because the banner refers to the saint's help in lifting the Turkish siege of Belgrade in 1456. He recruited an army of Hungarian volunteers to follow the great general John Hunyadi to the city, where he urged them on to victory. Unfortunately, the battle was followed by an epidemic that took the lives of both the saint and the general (Butler, I, 695).
In the images the device on the banner is most often a large red cross or a form of the ihs sunburst seen in images of St. Bernardino. The banner is an important feature of the Capystranus, a Middle English romance of the late 15th century. In it the Pope approves Capistrano's proposal to raise an army against the Turk and tells him to choose a "captain" for the expedition. The friar says he wants his "captain" to be "a banner of Christ's Passion, he who redeemed men's souls and brought them from pain to light." The banner is made and as he travels with it to Hungary thousands of men join him, inspired by the banner and by his preaching. Then at the battle he blesses the troops and declares, "Our banner shall I carry today, to prosper us in our rights."2
In the Church of St. Bernardino in Kraków the banner bears a white eagle on a red field, the coat of arms of Poland.
The other type of portrait (second picture at right) has the saint preaching to a crowd while holding out to them a monstrance An open or transparent receptacle in which the consecrated Host is exposed for veneration – Google Definitions , a sunburst device, or some such symbol of Jesus. This second type of iconography is based on St. John's enormous popularity as a preacher. In Italy vast crowds would flock to hear his sermons, and towns would vie with each other in inviting him (Ibid., 693-94).
In both types of image the saint will be wearing the typical gray or brown Franciscan habit with the triple-knotted rope cincture.
Prepared in 2017 by Richard Stracke, Emeritus Professor of English, Augusta University. Revised 2021-08-11.