In Limoges, Aquitaine, the bishop St. Martial with two priests, Alpinianus and Austriclinianus. Their life shone brightly in miracles. – Roman Martyrology for June 30
In Limoges, Aquitaine, St. Valeria, virgin and martyr – Roman Martyrology for December 9
Gregory of Tours wrote of St. Martial as being one of the seven men sent from Rome to evangelize Gaul in the mid-3rd century. In this account, St. Martial went to Limoges with two priests and performed many miracles.1
Later, a "prose rythmée" life of the saint backdated his mission to the first century and had him sent to Limoges by St. Peter himself. In this account one of the priests dies on the journey to Limoges, so Martial rushes back to tell Peter. Peter gives him a staff and says to touch the priest with it and he will be revived. This works, the three proceed to Limoges, and they convert large numbers to the faith. One of the converts is a young noblewoman named Valeria who is martyred for breaking off her engagement to her pagan fiancé. Upon his death, Martial is buried beside her in a cemetery outside the city, joined years later by the two priests.2
In the version that finally arrived on William Caxton's desk in the 15th century Valeria has a mother named Susanna who had been the first person in Limoges to host the missionaries. Valeria's fiancé is replaced by a wicked "Duke Steven" who arrives in Limoges and determines to "have his will of her." But after having her beheaded he repents and becomes a Christian himself. Further miracles are added, and the two companion priests get the names we see inscribed beneath their portraits on the stained glass above: Alphinian and Austridinian.3
In the stained glass, St. Martial is saying Mass with those two companions. The white scarf embroidered with crosses reflects a belief among some Limoges clergy that his mission to the city merits him the status of "apostle," or even that he was one of the seventy-two disciples of Christ mentoned in Luke 10.4
In this image, Austridinian is dressed as a deacon and holds the gospel book from which deacons read during the Mass. But in Gregory and in the "prose rythmée" both are priests; in Caxton, they are merely "disciples."
On the other side of the altar, Valeria (kneeling, with halo) is joined by a number of well-dressed onlookers who may at the same time represent the crowds converted by Martial and the Aquitanian nobility of subsequent eras.
Prepared in 2020 by Richard Stracke, Emeritus Professor of English, Augusta University.
Stained glass window in the church of St. Michel-les-Lions, Limoges. Source: Wikimedia Commons