The "Visitation" is the Virgin Mary's visit to her cousin Elizabeth "in a city of Judah in the mountains" (Luke 1:39-56). It is the subject of the second "decade" of the Rosary prayer, so it has been especially familiar to Catholics since the 16th century. Images typically show the two women greeting each other upon Mary's arrival. Mary will always be identifiable by her blue mantle. More often than not she is veiled. Elizabeth is almost always veiled. The greeting is usually pictured as an embrace, as above. In
one case I have seen
there is a kiss. Sometimes Elizabeth
touches Mary's belly
A sculpture in the Metropolitan Museum gives each a belly of gemstone.
THE SETTINGThe setting varies but is almost never inside Elizabeth's house (see one very late exception). It may be at the entrance, following the Protevangelium's statement that Elizabeth "ran to the door" (¶12) when Mary knocked. The house is often made to look somewhat like a church or temple, as in the first and second pictures at right. In the picture above, the flying buttresses and ribbed vaulting that characterize Gothic churches of the day have been added to an otherwise normal home.
Alternatively, to represent the "city of Judah in the mountains" the greeting may be set outside the city gates (example), sometimes as far outside as a couple of football fields. This gave Renaissance artists a chance to indulge in a bit of landscape painting (example).
THE PARTICIPANTSSometimes Mary and Elizabeth are the only persons in the composition, or in the case of city-gates settings there may be just one distant figure entering or leaving at the gate. But many Visitations add other characters. Quite a few in the late Middle Ages are like the picture above, where Mary arrives in the company of other young women. In the apocryphal gospels Mary leaves the Temple after Joseph is chosen as her spouse-to-be. The priests assign some Temple virgins to accompany her to the home where she will be awaiting Joseph.1 It is likely that these are the companions in the medieval Visitations.
In a few cases Mary is accompanied by what appears to be a female servant carrying a sack, as in the third picture at right. In the fourth picture the sack becomes a satchel.
In that fourth picture we also see a young girl standing at the city gate, a figure with precedents going back to early Christian times. In the first picture at right, a mosaic of the 6th-century, a boy pulls back a curtain with a gesture of contemplation. In the second picture, from the 12th century, he looks out from a window. And in the third it is a young woman who looks out, drawing back a curtain as in the first picture.
And of course we sometimes see Elizabeth's husband Zechariah, as above and in this example.
THE MONTHSIn Luke the angel tells Mary that Elizabeth is six months pregnant, and Mary stays with her for three months. Adding in the time for travel to Judah, we might calculate that Mary was there for the birth of John the Baptist, and indeed the Golden Legend tells us that she stayed in the city "for three months until John was born, and lifted him from the earth with her own hands" (Ryan I, 200).2 This is pictured in Salimbeni's cycle on the life of John the Baptist, as is Mary's departure.
Lorenzo and Jacopo Salimbeni, The Life of John the Baptist: "The Visitation," 1416. See the description page.