Santos in Oaxaca's Ancient ChurchesA study of santos in 16th-century and other churches in Oaxaca, Mexico
By Claire and Richard Stracke Funded by a grant from the Rockefeller Foundation In El Tule's Church of
Holy Mary of the Assumption: Our Lady
of the Assumption |
Other Santos at El Tule Saint Joseph and the Christ Child
The crenelated collar of the tunic, the crenelated sleeves and the buttons of the waistcoat are in the style of some of the earliest polychromes in Yanhuitlán and in Cuilapan. The upper garments suggest a working man, perhaps someone such as San Isidro, though the coarse effect may be the result of the thick repainting. Such tunics, painted in rich polychrome, are worn by statues of elegant young men in Yanhuitlán. The mantle draped around the lower boy and caught at the waist implies that the figure is a Biblical character. The saint carries the Christ Child, but no lilies. The chipped gesso and paint reveal a carved wooden nose. Both statues have been repainted.
Local Name: San José. Basis for Identification: Bearded saint holding a child in the left arm. Site: Church of the Assumption, El Tule. Location: Along the north wall of the narthex, on a low altar. On a carved polychromated circular stand (see note). Media and construction: Wood, gesso, paint. Child: wood, gesso, paint. Eyes: painted. Hair: wig. Comparable santos in Oaxaca: Achiutla, Santa Ana del Valle, Cuilapan1, Cuilapan2, Mitla1, Mitla2, Ocotlán, Díaz Ordaz, Teitipac, Teotitlán, Zimatlán. External Links: Palm Sunday Christ The figure of Christ seems separable and could be of a different period, though it fits the ass's shape perfectly. The ass has been repainted several times.
Basis for Identification: Riding on an ass. Site: Church of the Assumption, El Tule. Location: Between the third and fourth columns of the retablo of the long table centered along the south wall of the nave (see note). Media and construction: Painted wood, rope harness. Size: About 2 feet (60 cm.) Comparable santos in Oaxaca: Santa Ana del
Valle, Cuilapan,
Mitla, Ocotlán, Díaz
Ordaz, Tamazulapan,
Teitipac,
Teotitlán,
Teposcolula,
Tlacolula,
Yanhuitlán. External Link: Ecce Homo The statue is roughly carved
and has been clumsily repainted. The arms are
awkwardly angled beneath the sleeves. The crown of
thorns is in the basketweave pattern. Blood streams
from it. The toes and fingertips are bruised and
bloody. A gold sash ties the hands, but not together.
Local Name: El Santo
Nazareño. Basis for Identification: Purple robe with gold fringe, crown of thorns, hands tied at wrists. Site: Church of the Assumption, El Tule. Location: At the far left on the long table centered along the south wall of the nave (see note). Media and construction: Fabric garments. Eyes: glass, with lashes. Hair: wig. Size: About 4½
feet (135 cm.) Comparable santos in Oaxaca: Ejutla, Etla (in the Soldedad Group), Etla2, Mitla, Santa Ana del Valle, Tamazulapan, Teitipac1, Teitipac2, Teitipac3, Teotitlán, Teposcolula, Tilantongo, Tlacolula, Xoxocotlán. External Links: Crucifix
Local Name: El Señor
de la Misericordia. Basis for Identification: Purple loincloth with purple scutum. Site: Church of the Assumption, El Tule. Location: In a glass case left of the retablo of the long table along the south wall of the nave (see note). Media and construction: Stained wood, fabric loincloth and scutum over carved loincloth. Size: About 3 feet (90 cm.) Comparable santos in Oaxaca: Achiutla, Santa Ana del Valle1, Santa Ana del Valle2, Santa Ana del Valle3, Cuilapan, Etla, Guelavia, Mitla, Nochixtlán, Tamazulapan1, Tamazulapan2, Teitipac1, Teitipac2, Teitipac3, Teitipac Our Lady of the Rosary, Teotitlán1, Teotitlán2, Teposcolula1, Teposcolula2, Teposcolula3 (in Rosary case), Teposcolula Convento1, Teposcolula Convento2, Tilantongo1, Tilantongo2, Tlacolula1, Tlacolula2, Xoxocotlán1, Xoxocotlán2, Xoxocotlán3, Xoxocotlán4, Yanhuitlán1, Yanhuitlán2, Yanhuitlán Convento1, Yanhuitlán Convento2, Yanhuitlán Convento3, Yanhuitlán Convento4, Yanhuitlán Convento5, Yanhuitlán Ayuxi Chapel, Zimatlán. External Links: Our Lady of the Rosary The statue does not have the look of wood, nor of gesso and cloth. The sleeves blend into the arms as with plaster statues. But if it is plaster it must be early or unusual, because it lacks the normally powdery look of plaster surfaces. It has been repainted several times, and at the neck one can see paint bubbles and places where paint has flaked away. The Christ Child has one necklace; the Virgin, two.
Local Name: La Virgen del Rosario. Basis for Identification: Holding a bouquet in the right hand and the Christ child on the left; child holds two rosaries. Site: Church of the Assumption, El Tule. Location: Left of the retablo of the long table along the south wall of the nave (see note). Media and construction: Plaster? Size: About 3½
feet (105 cm.) Comparable santos in Oaxaca: Achiutla,
Coixtlahuaca,
Cuilapan,
Teitipac1,
Teitipac2,
External Links: Resurrected Christ Clad only in a loincloth. Set in a niche above the Assumption. A carving of the crescent moon is at his right. The sun is gone from the left side.
Site: Church of the Assumption, El Tule. Location: Atop the third of the four columns of the main retablo, hidden by flowers. Size: About 2 feet (60 cm.) Comparable santos in Oaxaca: Achiutla, Santa Ana del Valle, Cuilapan, Mitla, Teitipac, Teotitlán, Teposcolula, Yanhuitlán, Zaachila. External Links:
Site: Church of the Assumption, El Tule. Location: In a glass case, center of an altar in the south wall of the nave, just past the narthex (see note). Media and construction: Plaster. Eyes: glass. Size: About 2½
feet (75 cm.) Comparable santos in Oaxaca: Coixtlahuaca, Ejutla1, Ejutla2, Mitla1, Mitla2, Teitipac, Tlacolula, possibly Tlaxiaco, Tule. External Links: Saint Anthony of Padua Local Name: San Antonio de Padua. Site: Church of the Assumption, El Tule. Location: Left of the Assumption santo described above. Media and construction: Eyes: glass. Size: About 3 feet (90 cm.) Comparable santos in Oaxaca: Coixtlahuaca, Etla, Huitzo, Mitla, Tamazulapan, Teitipac, Teposcolula, Tlacolula. External Links:
Virgin Mary Basis for Identification: Full crown and sunburst halo. Site: Church of the Assumption, El Tule. Location: Between the first and second columns of the retablo of the long table centered along the south wall of the nave (see note). Media and construction: Wood, gesso, paint, fabric garments, metal crowns. Eyes: glass. Hair: wig. Size: About 2 feet (60 cm.) Comparable santos in Oaxaca: Achiutla,
Etla1 (in the
Soledad group) Etla2, Guelavia1,
Guelavia2,
Nochixtlán,
Ocotlán, Teotitlán, Teotitlán2, Tilantongo1,
Tilantongo2,
Yanhuitlán1, Yanhuitlán2, Zimatlán. External Link: Our Lady of the Assumption II Basis for Identification: Gold-colored crescent moon at the base of the garments, two angels holding a rainbow shape over the head; full crown. Site: Church of the Assumption, El Tule. Location: In a glass case left of the retablo on the long table centered along the south wall of the nave (see note). Media and construction: Wood, gesso, paint, fabric garments. Size: 10 inches (25 cm.) Comparable santos in Oaxaca and External Links: See Our Lady of the Assumption I above. Saint John the Baptist Clad only in a sash and brown loincloth.
Local Name: San Juan Bautista. Site: Church of the Assumption, El Tule. Location: Atop the second of the four columns of the main retablo. Size: About 2 feet (60 cm.) Comparable santos in Oaxaca: Achiutla,
Coixtlahuaca,
Huitzo,
Mitla,
Tamazulapan,
Tamazulapan (as child), Teitipac,
Teitipac
(Beheading), Teitipac
(San Juanito), Teotitlán,
Zimatlán. External Links: Previous santo Introduction to El Tule Note: On this site, references to the cardinal directions always assume that the main altar is at the east end of the church, the narthex or entry area at the west end, and the two walls of the nave on the north and south. (The nave is the long central section.) Actual orientations may differ. The photo shown here is licensed under the
Creative Commons Attribution-Share Alike 3.0 Unported
license. You are free to share or remix it on two
conditions: first, that you attribute it to the
photographers, Claire and Richard Stracke, without
implying any approval of your work on their part;
second, that if you alter, transform, or build upon
this photo, you may distribute the resulting work only
under the same or similar license to this one.
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